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Panic as Man Burns Crumpets: The Vanishing World of the Local Journalist

為了解決our tv的問題，作者Lytollis, Roger 這樣論述：

WINNER OF THE LAKELAND BOOK OF THE YEAR AWARD 2022’For those who know about provincial newspapers, this will be a classic and a gem. Those who don’t know will envy what they have missed’ MELVYN BRAGG ’Brisk and entertaining. A very readable love letter to a disappearing world, told with verve and

tenderness’ STUART MACONIE, author of Pies and Prejudice’Gut-bustingly funny, poignant and packed with astonishing insider information’M. W. CRAVEN, author of the award-winning The Puppet Show’Local journalism has never seemed more exotic than in this part-memoir, part-ode to that disappearing art,

which is as funny as it is endearing . . . Told with a tender fondness, the bonkers, baffling but vital world of local press is paraded with the style that it deserves’JONATHAN WHITELAW, Sun’Refreshingly honest, engagingly self-deprecating, tremendously funny and more than a little heartbreaking. B

y far my favourite read of the year so far’MIKE WARD, TV critic, Daily Express/Daily Star’Local publishers . . . need to hold on to thoughtful, dedicated writers such as Roger Lytollis, or his book will be an epitaph to a centuries-old industry’IAN BURRELL, i paper ’Anyone who has ever worked at a l

ocal newspaper, or wondered what it is like, should read this book. Equally hilarious and heartbreaking’DOMINIC PONSFORD, media editor at New Statesman Media Group/editor-in-chief at Press Gazette’[Lytollis] writes with clarity, comically self-effacing honesty and surprising poignancy . . . [this is

] the story of what it is like to love what you do, and be great at it, and to watch it collapse around you in slow motion’ ROBYN VINTER, Guardian’For anyone wondering where their local press went, this is as clear an account of how it was pickpocketed, drained of blood, and left to die as you’ll fi

nd’ ED NEEDHAM, Strong Words magazine ’Panic as Man Burns Crumpets gives a powerful, if not to say dismaying, overview of an industry in terminal decline’NAT SEGNIT, Times Literary Supplement’The best book I’ve read this year, by some margin. Brilliantly written, frequently laugh-out-loud funny, but

also reflective, candid, poignant and passionate about the importance of journalism. Superb’CHRIS MASON, BBC political correspondent/presenter of Radio 4’s Any Questions’Many books written by journalists have come across my desk over the course of my time as publisher of Hold the Front Page, but I

would say without any hesitation that this one is the best. Not only is it the funniest, and the best-written, it is also the most honest in terms of what it reveals about its author, and more importantly about our craft’PAUL LINFORD, Hold the Front PageYou dreamed of being a journalist and the drea

m has come true. You love working for your local paper . . . although not everything is as you imagined. You embarrass yourself with a range of celebrities, from John Hurt to Jordan. Your best story is ’The Man With the Pigeon Tattoo’. A former colleague interviews President Trump. You urinate in th

e president of the Mothers’ Union’s garden. Your appearance as a hard-hitting columnist on a BBC talk show does not go well. And being photographed naked is only the second most humiliating thing to happen one infamous afternoon. There are serious stories, such as a mass shooting, a devastating flo

od, and the search for Madeleine McCann. Meanwhile local papers are dying. Your building is crumbling and your readership is dwindling. Your carefully crafted features are read by fewer people than a story about fancy dress for dogs. Panic as Man Burns Crumpets is the inside story of local newspaper

s during the past twenty-five years, told in a way that’s funny, poignant and revealing.

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賦名正當性：以Facebook為例

為了解決our tv的問題，作者阮氏嘉如 這樣論述：

合法性被認為是戰略管理理論中的一個重要結構。然而，對於所有組織來說，獲得合法性總是很容易的，尤其是基於新技術運營和開發的新企業。我們的研究對像是數字平台 Facebook 的創始人兼 CEO 馬克·扎克伯格。本研究借鑒歸因理論，旨在探討運營數字平台的企業家如何為其組織構建框架策略。我們使用基於定性的行動研究程序，討論馬克·扎克伯格如何利用一系列戰略行動為 Facebook 構建合法性框架策略。這些戰略行動包括符號管理、印像管理和信任管理。馬克扎克伯格使用符號管理來創建 Facebook 的標識； 印像管理以建立積極的品牌形象； 信任管理，以獲得組織的公信力。這項研究表明，框架是塑造尋求組織合

法性戰略的一個因素。我們最後討論了我們的研究對理論和戰略實踐的影響。然而，這項研究存在一定的局限性，需要進一步探索。關鍵詞：合法性、數字平台、框架、符號管理、印像管理、信任管理

That Time We Ate Our Feelings: Comfort Food from the Heart: From the Creators of #coronakitchen

為了解決our tv的問題，作者Lucas, Lisa,Mansini, Debrianna 這樣論述：

Lisa Lucas is a writer, producer, and actor who has produced and written more than thirty television series including for ABC’s The Bachelorette, Bravo’s Work of Art, and NBC’s Emmy-winning My 1st Time. In 2017, she produced the Emmy-nominated feature documentary Defending the Fire. She is also an e

xecutive producer and principal partner in LikeMinds, a production company based in Santa Fe, New Mexico, that creates content for documentary and scripted television series, short films, and independent features. Lisa has received professional theatrical training from the National Theatre Institute

at the Eugene O’Neill Theatre Center in Waterford, Connecticut, and studied Shakespearean theater at the Guildhall School for Music and Drama in London. For some reason, she is frequently cast in roles of either unfortunate victims of wrong place at the wrong time situations, like in NBC’s The Nigh

t Shift, or hyper pious parochial school nuns like in the independent upcoming 2021 short film The Holy Word. In 2020, Lisa and Debrianna Mansini launched Corona Kitchen, an unscripted nightly cooking show on Facebook and YouTube Live. She lives in Santa Fe, New Mexico.Debrianna Mansini is an actor

, writer, and activist who is known for her role as Fran in AMC’s Breaking Bad and Better Call Saul, and playing opposite Oscar winner Jeff Bridges in Crazy Heart. She trained at the Circle in the Square Theatre School in New York City before launching Tin Roof Productions, which later became the Sa

nta Fe Performing Arts Company. Debrianna has worked off-Broadway in New York and has toured on stage throughout the United States in her critically acclaimed show The Meatball Chronicles. Debrianna and her husband, David Forlano, won the Earth Keepers Award for Best Sustainable Video for their docu

mentary short Earth Ships of Taos, whichwas shown at the Downtown Los Angeles Film Festival, and several of their documentary shorts have aired on Al Gore’s cable network, Current TV. In 2010, Debrianna’s children’s short, Picking Up Feets, was selected for the International Women in Film Festival.

In 2020, Debrianna and Lisa Lucas launched Corona Kitchen, an unscripted nightly cooking show on Facebook and Youtube Live. She lives in Santa Fe, New Mexico.

The State of Indonesian Horror Cinema Throughout the Decade, from Early 2000s to Early 2010s

為了解決our tv的問題，作者張偉傑 這樣論述：

Horror films in Indonesia were considered bad b-grade horror films by the Indonesian community itself. The reason was because of the female exploitation in Indonesian horror films. In recent years, Indonesian horror films have seen a change in quality which focusses more on the u

rban legend horror and strays away from exploiting women. The aims of this research were to study the opinions of Indonesian youth general audience and film critic on the subject as well as the differences between them. Data were collected using in-depth focus group i

nterview on both group of participants. The data analysis was done using open, axial, and selective coding process. Results show that both audiences and expert recognize an improvement in Indonesian horror cinema because of a select few outstanding films, but emphasize that there are stil

l a lot of Indonesian horror films that aren’t the same quality as those select few.