open的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列問答集和資訊懶人包

Lego Mad Libs

為了解決open的問題，作者Seim, Lindsay 這樣論述：

Lindsay Seim is an actor and writer based in Los Angeles. In addition to writing several Mad Libs titles (Penguin Random House), Lindsay’s essays and short stories have been featured in XO Jane, Betty Confidential, and the Plains Song Review. She is a Hearst Journalism Award recipient and wrote the

screenplay for the sci-fi feature film A Wakefield Project, in which she also co-starred.Lindsay grew up acting in plays written by her sister, Carrie Seim, and riding horses in the wide open spaces of Nebraska.

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區塊鏈技術在台灣二手車市場應用之實證研究

為了解決open的問題，作者蘇祐 這樣論述：

近年來的二手車市場交易量皆比新車市場高的多，且每年逐漸上升，此市場日益壯大，價格機制卻還是相當混亂，相當不透明，故此本研究以改善台灣二手車市場資訊不對稱問題為發想，設計一套網頁系統，以以太坊區塊鏈為系統底層，且成立一個二手車聯盟來管理該系統，有意願加入此系統的車主需將車輛移至與聯盟配合之檢修場，在確認資料無誤後，聯盟會將該車輛的資料上傳至區塊鏈系統上，以供系統參與者查閱。 本研究透過設計區塊鏈系統進行實作實驗，依據區塊鏈的不可篡改性來用以改善台灣二手車市場資訊不對稱問題，並使用Node.js SDK工具提供網頁客戶端，模擬車輛資料上傳的流程，最後提出三項實驗數據以檢驗新的系統架構設計適確性

，以及檢驗資料的正確性。實驗結果顯示，本研究所提出之二手車區塊鏈系統確實可改善二手車市場資訊不對稱的問題，藉由區塊鏈的不可篡改性，讓資料上傳後就無法修改，就算覆蓋過去鏈上也都能查到相對的紀錄，確保鏈上資料的正確性，讓其餘參與者在系統上查閱時，能夠信任這份資料，進一步改善過去消費者只能以車主所提供之資料作為參考，讓二手車市場資訊更加透明，進一步提高消費者對市場的滿意度及忠誠度。

Adventures in Feminist Dramaturgy: The Road Less Traveled

為了解決open的問題，作者Hope, Laura Lee/ Kelly, Philippa 這樣論述：

In their lively invocation of a feminist dramaturgy that can lead to innovative and challenging directions in modern theatre-making, Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to ope

n up feminist dramaturgy as a field of enquiry and performance possibility. The authors begin by discussing what happens when a dramaturg's performance strategies are vastly different from what a director envisions. This discussion moves naturally to Hope and Kelly's analysis of canonical plays they

hope to re-think in terms of gender at the same time that they resist the implication that a feminist perspective is a prescription for a political and social agenda. Casting a critical eye on "mainstream" approaches to classical plays, the authors revisit casting practices, editing philosophies, a

nd directorial concepts that provide thin, stereotypical depictions of male and female characters, arguing for closer textual and cultural analyses of misguided ventures such as the Lysistrata Project. Their commentary on appeals to audience involvement highlights the difficulty of challenging audie

nce preconceptions and the possibilities for expanding audience reception, while the counterproductive rigidity with which organizations like the Beckett estate resist new approaches to theatrical production are exposed in a discussion of feminist dramaturgy's potential to reinvigorate a play like W

aiting for Godot. Adventures in Dramaturgy concludes with the authors' personal journey to forge new directions within a specific theatre company and in the professional world at large. Laura Hope is Assistant Professor of Theatre at Loyola University New Orleans and Philippa Kelly is Resident Dra

maturg at the California Shakespeare Theater, USA.

自動化安全檢核方法之研究

為了解決open的問題，作者郭民瑜 這樣論述：

隨著科技的進步，金融業所提供的服務也越來越廣泛，系統的架構也從傳統的大型主機漸漸走向開放式的系統，虛擬化技術也漸漸的應用在金融服務業上，而系統越開放資訊安全也就更加的重要。所提供的服務越多也代表背後需要有更多的主機來支撐這些服務，面對越來越多的主機系統，如何有效的管理這些主機的安全設定也就成為課題之一。因此，使用自動化管理提升效率並且降低人為錯誤便成為系統管理的一種趨勢。本論文之研究使用Ansible管理工具建立自動化檢核架構，利用編寫好的Playbook針對目標主機進行系統安全的檢核，並將檢核結果輸出成報表。由於Ansible管理工具無須安裝代理程式的特性，可節省大量佈署代理程式的時間，大

幅降低人力成本。另外Ansible自動化檢核的速度也比傳統人工檢核所花費的時間快上不少，也節省時間成本。