Shot me down的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列問答集和資訊懶人包

這些商務行話為什麼這麼有哏? 趣味解析301個內行人才懂的商務詞彙，讓你聽得懂、還會用，不再一臉表情包

為了解決Shot me down的問題，作者BobWiltfong 這樣論述：

商務場合常用語句趣味大解析， 完整收錄商務人士必懂用語， 有些連Google翻譯都翻不出來。 以幽默解析與生動典故， 讓你除了聽得懂，還能靈活用， 跟老闆、同事、客戶溝通時準確回應， 不再滿頭問號、一臉尷尬，增進專業度與好感度。   　　什麼是FAQ、MO、KISS（絕對不是親親……）？ 　　跟信封一點關係都沒有的「Push the envelope」是什麼意思？ 　　老闆為什麼叫你「把海水煮沸」(boil the ocean)？ 　　同事幹嘛請你「挪一下針頭」(move the needle)？ 　　為什麼英文學了十幾年，進了商業世界什麼都聽不懂？

  　　本書針對商業情境與職場最常使用的商業詞彙與片語， 　　提供明確定義，並介紹這些用語的來源、歷史與故事， 　　讓你在大笑中了解這些商務行話的真正含意， 　　無論是商務演講或是與同事分享重要訊息， 　　都能正確回應，提升溝通技巧與專業度。   　　★精彩搶先看★   　　ducks in a row──每件事情都安排的有條不紊，準備完全。 　　商務行話定義：總之不能拿來形容鐵達尼號上負責確認救生艇數量是否足夠的那個人。   　　Hardball──用最強硬的方式積極地進行任何遊戲，包括真實人生。 　　商務行話定義：在紐約市上下班尖峰時

間，擁擠的地鐵車廂靠站時你必須要採取的態度。   　　hump day──禮拜三 　　商務行話定義：黑洞漩渦般的工作日中，一絲絲微弱的希望之光。   　　left holding the bag──擔起被強加在自己身上的責難或重擔 　　商務行話定義：預定要跟老闆報告案子失敗的當天，其他同事全因為流感倒下。   　　★特別收錄★   　　來自經典電影、貓狗、軍事、賽馬等領域的商務行話   　　「給我錢！」（Show me the money﹗）——《征服情海》（Jerry Maguire） 　　這句台詞告訴各位商業合作夥伴，他們最能夠表達重視你或

你的貢獻的最佳方式，就是付錢給你。   　　「我要給他一個無法拒絕的條件。」（I’m gonna make him an offer he can’t refuse.）——《教父》（The Godfather） 沒有什麼比引用黑手黨的話，更能說明你對進行中的商業交易的認真程度。   　　Cat got your tongue 　　一時語塞   　　barking up the wrong tree 　　採取錯誤的行動或選錯人說話   好評推薦   　　「這本好書不只清楚定義許多企業界使用的商業詞彙與片語，而且也將片語的起源用有趣也具豐富知識性的

方式呈現。我覺得這是學習商務行話（與跟著大笑）的最好方式。」──凱瑟琳•歐康納（Kathleen O’Connor），倫敦商學院教授與詹森管理研究院的訪問副教授   　　「本書除了提供真的很有幫助的資料之外，也是本搞笑外加歷史書籍，提供喜愛深入考究的人很多樂趣。如果你喜愛學習與大笑，這是本適合你的書。」──珍•波頓（Jane Borden），記者與《我完全就是做這個的料》的作者   　　「關於鮑勃•維爾馮，我知道一件事──他很搞笑。如果你覺得捧腹大笑是應付在企業界工作的好方式，那麼這本書必讀。我會逼所有的員工桌上都放一本。這會不會太超過了呢（pushing the envelo

pe）？」──派特•多倫（Pat Dolan），《新聞日》的老闆

Shot me down進入發燒排行的影片

利用光學同調斷層攝影與深度學習探討橈動脈處表皮組織結構的時變特性

為了解決Shot me down的問題，作者公胤楠 這樣論述：

研究建立了一套基於深度學習的程式，對OCT定點量測橈動脈處之表皮組織圖像作圖像處理，並建立了相關的圖像增強程式集合。最終訓練出2個U-net模型，可以從OCT圖像中分別提取任意時長的連續脈搏波或提取出心搏速率圖。研究者進行了初步的人體實驗，分別在站立，靜坐與平臥三種姿態下定點量測橈動脈處的表皮組織。對於心搏速率圖，研究者計算了mean_nni, sdnn, sdsd, nni_50, pnni_50, nni_20, pnni_20, rmssd, median_nni, range_nni, cvsd, cvnni，共12項時域的心率變異性指標，並進行統計學分析。對於連續的脈搏波，本研究對

其進行多尺度熵分析，並對結果作統計分析。

Bone Chalk

為了解決Shot me down的問題，作者Reese, Jim 這樣論述：

Ride shotgun down the back-roads of the Great Plains as Jim Reese becomes Willy the Wildcat at a small Division II school, drives a tractor into an outbuilding his first week on the job, and discovers, sometimes with horror, the truth--after immersing himself in the lives of strangers, friends, fami

ly and prisoners. Travel to San Quentin prison in San Francisco Bay where he has full access and isn't afraid to ask the tough questions. Join him in a superstore pharmacy prophylactic aisle. Explore teenage angst and desire with him at a Midwest skating rink. Accompany him as he archives his mother

-in-law's peculiarities, often verbatim. Reese was born in Iowa, but moved to Omaha at age seven where he grew up in what passes for "the big city" in Nebraska. He married into a farm family, moved to northeast Nebraska, and this book captures the disparity between urban and rural America. He takes

sympathetic, comic, and serious looks at the people he writes about, offering a humorous and equally critical view of himself. He captures those moments in the belly of the heartland, where all are welcome to the strangeness of good company and rural behaviors, and in doing so, these essays record t

he zeitgeist of the time. The intersections of Reese's stories about the incarcerated or genuine mid-western sensibilities allow readers to take the reins and become part of his ongoing journey to find his place in the world. Reese is a wandering minstrel, and as the author of four widely-praised bo

oks of poetry, he knows how to blow our hearts sideways. "JIM REESE'S NEW BOOK is what we might think of as 'an evening's entertainment, ' and it's an enriching entertainment at that, witty and funny, shadowed by feelings deeper and more meaningful, a kind of operetta in prose, and it will stick wi

th me for a good long while. I recommend it."--Ted Kooser, winner of the Pulitzer Prize, 13th Poet Laureate of the United States "JIM REESE... HE'S OUR MARK TWAIN of this century ... Jim writes about the everyday experience, and he, in my view, is therefore America's poet."--Grace Cavalieri, from th

e Poet and the Poem at the Library of Congress "WE CALL IT THE HEARTLAND, but we seldom drop by for a visit. Jim Reese catches the dying fire of the small town wasteland that staggers on with meth, desire, and neglect. These loving poems open the door to the real little house on the prairie. Time to

step inside and finally have one honest moment with the forgotten center of our people."-- Charles Bowden, author of Murder City: Ciudad Juarez and the Global Economy's New Killing Fields "Jim Reese's Bone Chalk is like a strong shot of rye, a piercing look from a stranger, or a stray bullet in the

dark. There is a startling honesty that slams you against the wall by the throat and holds you there until you see the truth, a unique perspective into the world of true crime from a gifted writer."--Craig Johnson, author of the Walt Longmire novels, the basis for the Netflix drama Longmire "In Bon

e Chalk, Reese transports his readers to the Great Plains with the narrative ease of someone chatting with a friend on the front porch. Sometimes tender and sometimes gripping, this memoir remains tethered to the soil and to the people with such a strong sense of place that the reader feels as thoug

h they had been there, walking beside the author, the whole time."--Allen Eskens, bestselling author of The Life We Bury and Nothing More Dangerous "Bone Chalk is the best kind of memoir, an expansive and bracing tour of a region and people both eminently familiar yet particular enough to feel like

another universe. Fast, funny, dark, and surprisingly moving. Jim Reese is a brilliant tour guide of the Plains." --Stephen Markley, author of Ohio "How does one locate and unlock the Middle West? I like to look for the inscribed grid of township squares, that checkerboard from above, sometimes punc

tuated with the Zen enso of a center pivot irrigation rig. Jim Reese, in this excellent and exacting collection, replicates that layout in many of these essays--topographies of stark juxtapositions, intricate quilted collages, high contrast and high definition chainmails of the Middle Border. Hopsco

tched and hobnailed, the pieces of Bone Chalk map out, again and again, the famous paradox of place where one is in the heart of the heart of the country at the same time one finds oneself in the middle of nowhere." --Michael Martone, author of The Moon Over Wapakoneta and Brooding "Jim Reese is an

American original His voice rises out of the Great Plains to bear witness to the foibles, folkways and oddities of living in the small towns and villages that are sometimes only a collection of a few dots of light to planes flying overhead in the dark. Reese has an easy voice to listen to--playful

with a hint of deeper truths about the complex soul of the Midwest: dark and hopeful as we work hard to make lives in places beset by hard winters, hot summers, and constant economic uncertainty. Yet living here is full of humor and joy in the everydayness Reese chronicles with surprise and tenderne

ss."--Jonis Agee, author of The Bones of Paradise "Like that longed-for drive down a Midwestern road, these brilliant essays introduce us to a startling diversity of people and places--rural and urban, wild and domestic, comic and cautionary. Our guide is the incomparable Jim Reese, whose wit and wi

sdom help us re-learn the value of listening, of loyalty and love and a good day's work. A writer who, as he says of his own beloved grandfather, is "a man more fully present and alive than most." --John T. Price, author of Man Killed by Pheasant and Other JIM REESE is Associate Professor of Engl

ish and Director of the Great Plains Writers’ Tour at Mount Marty College in Yankton, South Dakota. Reese’s poetry and prose have been widely published, and he has performed readings at venues throughout the country, including the Library of Congress and San Quentin Prison. Reese’s awards include Fi

rst Place in the 2018 Allen Ginsberg Poetry Awards, a 2018 Distinguished Achievement Award from Mount Marty College, and a Distinguished Public Service Award in recognition of his exemplary dedication and contributions to the Education Department at Federal Prison Camp Yankton. His books include The

se Trespasses (The Backwaters Press, 2005), ghost on 3rd (New York Quarterly Books, 2010), and Really Happy! (New York Quarterly Books, 2014). A fourth collection, Dancing Room Only, is forthcoming by New York Quarterly Books in 2020.

探討非同質化代幣（NFT）知覺價值與購買意圖之研究

為了解決Shot me down的問題，作者邱亦廷 這樣論述：

數位資產難以判別所有權的問題使許多數位內容創作者損失了應有的權利。而區塊鏈技術被認為是近十年重大的技術突破，其可驗證性、去中心化與高度透明的機制為各個產業帶來創新的發展。NFT作為區塊鏈下的應用，使每一個數位資產成為獨一無二的存在，並賦予了數位資產可交易的權利。隨著6,900萬美金的NFT在2021年3月被售出，NFT的熱度與價值直線上升，投資家與名人爭相購買，甚至透過發行NFT作為行銷策略。NFT的成功不可否認，但在2021年以前，NFT基本無人問津，難免令人對此產生疑問，究竟是炒作還是真的未來可期？而目前的研究大多都在探討NFT作為金融資產的發展性，從消費者心理探討NFT價值的文獻相當稀

少。因此本研究以消費者的角度討論NFT的市場可能性，期望以此補足學術缺口，並為產業界提供發行NFT時的建議。本研究從S-E-D模型延伸，將影響消費者知覺價值的來源分為心理與科技因素，包括知覺稀少性、區塊鏈技術與網路外部性，並以科技趨勢為中介因素探討其是否影響消費者判斷。透過網路問卷調查蒐集314份樣本數，並利用SPSS與Smart PLS進行分析，最終發現NFT所具備的知覺稀少性與網路外部性的確能夠增加消費者的知覺價值，且消費者也會注重選擇鑄造NFT的區塊鏈。此外，本研究也意外發現科技趨勢作為中介因素的效果並不顯著，伴隨著熱度的下降，說明NFT已過了炒作期並正趨於市場穩定階段。最後也針對NFT

發行者提供實務上的建議。