R lines label的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列問答集和資訊懶人包

D’’Angelo’’s Voodoo

為了解決R lines label的問題，作者Pennick, Faith A. 這樣論述：

Voodoo, D'Angelo's much-anticipated 2000 release, set the standard for the musical cycle ordained as "neo-soul," a label the singer and songwriter would reject more than a decade later. The album is a product of heightened emotions and fused sensibilities; an amalgam of soul, rock, jazz, gospel, hip

-hop, and Afrobeats. D'Angelo put to music his own pleasures and insecurities as a man-child in the promised land. It was both a tribute to his musical heroes: Prince, Sly Stone, Marvin Gaye, J Dilla...and a deconstruction of rhythm and blues itself. Despite nearly universal acclaim, the sonic expa

nsiveness of Voodoo proved too nebulous for airplay on many radio stations, seeping outside the accepted lines of commercial R&B music. Voodoo was Black, it was definitely magic, and it was nearly overshadowed by a four-minute music video featuring D'Angelo's sweat-glistened six-pack abs. "The Video

" created an accentuated moment when the shaman lost control of the spell he cast. Faith A. Pennick is a Chicago-born, Los Angeles-based filmmaker and writer. Pennick’s fiction and nonfiction films have aired on U.S. television and screened at film festivals throughout the world. She has written f

or National Public Radio and the pop culture website The Learned Fangirl, among other outlets.

Digitalizing the Global Text：Philosophy, Literature, and Culture

為了解決R lines label的問題，作者PaulAllenMiller,AlexanderBeecroft,BennettYu-HsiangFu,NicolasVazs 這樣論述：

　　A few years ago globalism seemed to be both a known and inexorable phenomenon. With the end of the Cold War, the opening of the Chinese economy, and the ascendancy of digital technology, the prospect of a unified flow of goods and services and of people and ideas seemed unstoppable. Yes,

there were pockets of resistance and reaction, but these, we were told, would be swept away in a relentless tide of free markets and global integration that would bring Hollywood, digital fi nance, and fast food to all. 　　Nonetheless, we have begun to experience the backlash against a global world

founded on digital fungibility, and the perils of appeals to nationalism, identity, and authenticity have become only too apparent. The anxieties and resentments produced by this new world order among those left behind are oft en manifested in assertions of xenophobia and particularity. The “other”

is coming to take what is ours, and we must defend ourselves! 　　Digitalizing the Global Text is a collection of essays by an international group of scholars that situate themselves squarely at this nexus of forces. Together they examine how literature, culture, and philosophy in the global and dig

ital age both enable the creation of these simultaneously utopian and dystopian worlds and offer resistance to them. 好評推薦 　　“Digitalizing the Global Text is a vibrant volume that explores the paradoxes of the local, the global, and the universal, with particular emphasis on the digital humanities.

This wonderful collection of essays from an accomplished global group of contributors will be of wide interest to humanities scholars.”--- Jeffrey R. Di Leo, University of Houston–Victoria 　　“Traversing historical periods and national boun d aries, with topics ranging from Plato to ‘Gang nam Style

,’ the essays in Digitalizing the Global Text represent a vast array of perspectives while resisting the tendency to fetishize or hype the global. This collection represents a major contribution to the study of world literatures and cultures.”--- ROBERT T. TALLY JR., Texas State University 　　“Digit

alizing the Global Text is a splendid contribution to the ongoing work of challenging globalism. Refusing to settle for its dominant neoliberal form, marked by the digitization of knowledge and homogenization of cultural production, this volume pursues alternative forms of life—recalcitrant ones—tha

t do not sacrifice the singularities of the local in their illustration and enactment of the global.”--- ZAHI ZALLOUA, Whitman College 　　“Digitalizing the Global Text stages a crucial intervention into discussions and debates around globalization and digitalization. How can we begin to imagine anew

a globalization and a digital sphere that do not merely translate into capitalist profiteering? This is the crucial question at once asked and answered by this collection.”--- CHRISTOPHER BREU, author of Insistence of the Material 　　“This is a timely and forthright collection on what happens to th

e cultural within forms of globalization and globality. Essays address not just the impact of popular culture but also attempt to understand how thinking itself is recalibrated between the shifting scales of local and global. A template for global cultural critique.”--- PETER HITCHCOCK, Baruch Colle

ge, City University of New York  

以金屬氧化物復合材料為基礎之氫氣感測器

為了解決R lines label的問題，作者SHRISHA 這樣論述：

氫氣(H2)因其高度易燃性而被歸屬於有害氣體，當其於大氣下達4-7重量百分濃度時，即具有相當之危險性，存在爆燃的風險，且由於其無色無味，大大提升檢測管線洩漏之難度，也因此奠定了其感測器存在之必要性及重要性。近年來，金屬氧化物由於其優異的化學和物理性質被廣泛應用於此領域，如：ZnO、WO3、TiO2、SnO2、MoS2等。以金屬鎢為基材之複合材料被廣泛應用於感測器氣敏層相關研究中，因其對多種目標有毒氣體具高度之靈敏性。而三氧化鎢(WO3)應用於氫氣感測器之先例，因此本研究之第一部分將專注於還原氧化鎢(WO2.72)於此領域之應用的研究。以三氧化鎢為原材料，應用鍛燒法合成還原氧化鎢奈米粒子(WO

2.72)，並通過FE-SEM、XRD和Raman光譜進行樣品表徵確認。待合成完成，以旋塗方式完成感氣層於SiO2/Si晶圓之塗佈，並完成叉指式電極之沉積。經測試，WO2.72感測器於室溫條件下之感測能力為27%，且具備於500ppm濃度條件下長期穩定性及重複使用性。同時以電子耗盡層理論說明其機制。儘管銫鎢青銅(CsxWO3)已被廣泛應用於其他領域，但其並無作為氫氣感測器氣敏層材料之先例，因此本研究之第二部分延續對金屬鎢為基材之複合材料的研究，欲開發當前尚無相關研究之鎢青銅(MxWO3)於此領域之應用的研究，CsxWO3感測器之製程，以水熱法先行完成銫鎢青銅奈米棒的合成，並透過多項儀器鑑定其物

理性質以確保結構之型態，並以旋轉塗佈之技術將之形成薄層結構於SiO2/Si晶圓之上，完成感氣層製備，隨後完成橫向多指Pt電極，以利後續性能檢測測試。經測試於不同濃度之氫氣(10ppm至500ppm)，測試結果呈現，銫鎢青銅感測器於室溫下具優異的感測性能(31.3%)，並且優於WO3感測器(4.7%)。選擇性測試亦呈現優異結果，於氨氣及二氧化碳測試中僅有極低之響應。此材料具備可靠性、合成方法簡單、濕度影小及選擇性優異等優勢，大大提升其應用之可行性。且與WO3感測器相比，CsxWO3感測器具更為優異的表面吸附能力及更強的活性O2官能基電誘導能力，因而展現了增強的氣敏性。當前CsxWO3感氣層展現優

異的效能，成功證實MxWO3作為金屬氧化物氣體感應器之可行性。於第三部分研究中，成功以溶劑熱法合成新型CsxWO3/MoS2奈米複合材料，再次採用旋轉塗佈之技術，完成於SiO2/Si晶圓形成感氣薄層結構之操作，並以PVD技術沉積設計之叉指式電極完成感測器製備。經測試，CsxWO3/MoS2感測器可於室溫下展現優異的氫氣感測能力，尤其包含15wt.% MoS2 (15 % CsxWO3/MoS2)之奈米複合材料，其感測性能甚至可達51%。此外，因具有高度循環穩定性，更增添其於實際應用的優勢。於本篇之最後一項研究，預期導入先進技術，以Zirconium-based metallic glass n

anotube arrays為基材，於其上透過實驗參數設定，完成氧化鋅(ZnO)奈米棒之生長，並以此材料做為氫氣感氣層之應用。於具contact-hole陣列(孔徑為2 µm)之光阻劑形成之模板上濺鍍沉積metallic glass (Zr60Cu25Al10Ni5)以得異質Zirconium-based metallic glass nanotube arrays，並沉積ZnO種子層以提供成核位點以利於metallic glass nanotube arrays內部生長奈米棒狀結構，其後採水熱法完成ZnO奈米棒之生長，接著濺鍍Pt電極，以利後續性能檢測測試。經實驗證實，Fabricated

Zirconium-based metallic glass nanotube arrays with ZnO nanorods (Zr-ZnO-nanorods)具優異的氫氣傳感性能。