Pianos的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列問答集和資訊懶人包

Treasures of Mechanical Music

為了解決Pianos的問題，作者Reblitz, Arthur a.,Bowers, Q. David 這樣論述：

This book contains over four hundred fifty tuning scales, tracker scales and key frame layouts for player and reproducing pianos, coin pianos and orchestrions, music boxes, table-top organettes, reed, pipe, and electronic organs, barrel organs and various other miscellaneous mechanical musical in

struments. In addition to the six hundred fifty pictures and illustrations, there are capsule histories of many of the companies which produced these instruments on both sides of the Atlantic Ocean. There are numerous informative articles on such subjects as arranging piano rolls, how to decode an u

nknown scale, how ＂nickelodeon＂ rolls were originally made, selecting the type of roll to be used for a new orchestrion, arranging music for barrel organs, tuning antique instruments, how rolls are perforated and detailed pictorial tours of both the QRS and Play-Rite Music Roll factories as they man

ufactured rolls in the early 1980s. There’s a good bit of information on player pipe organs, and for the carousel buffs, a fascinating collection of pictures of Charles Looff, the carousel builder, and many of the fine machines he made-all of which were fitted with beautiful mechanical organs.

Pianos進入發燒排行的影片

馬勒第五號交響曲之指揮詮釋與分析

為了解決Pianos的問題，作者許峻瑋 這樣論述：

本論文以古斯塔夫．馬勒（Gustav Mahler, 1860- 1911）《第五號交響曲》指揮詮釋為研究重點，其次為錄音版本比較與樂曲分析研究。第一章為緒論，闡述《第五號交響曲》的研究動機與目的、研究範圍與方法、文獻探討；第二章為論述馬勒與《第五號交響曲》之間的創作時空背景以及其首演評論；第三章為各指揮名家錄音之比較，目的為找出研究者認為合宜的詮釋版本；第四章為指揮詮釋與分析，探討樂團演出的技巧、排練的方式與指揮詮釋表達，並深入研究樂曲的形式、和聲與動機；第五章為結論，為前面觀點作一個總結，彙整論文的研究結果；第六章為引用文獻；最後附錄德文音樂術語翻譯。

If Only

為了解決Pianos的問題，作者Arnold, Judith 這樣論述：

Judith Arnold is the bestselling, award-winning author of more than one hundred novels and several plays. A New York native, she lives with her husband near Boston in a house with four guitars, three pianos, a violin, a kazoo, a balalaika, and a set of bongo drums. She treasures good books, good mus

ic, good chocolate, and good wine--although she will settle for mediocre wine if good wine isn’t available.

海頓《C 大調第六十號鋼琴奏鳴曲， Hob. XVI:50》與《降 E 大調第六十二號鋼琴奏鳴曲Hob. XVI:52》音樂分析與詮釋

為了解決Pianos的問題，作者施仁愛 這樣論述：

約瑟夫·海頓（Joseph Haydn）透過他的鋼琴奏鳴曲為古典時期的鍵盤曲目做出了巨大貢獻。本文的目的是對他在倫敦寫的其中兩首奏鳴曲進行分析和詮釋：C 大調第 60 號鋼琴奏鳴曲 Hob. XVI：50 和降 E 大調第 62 號鋼琴奏鳴曲 Hob. XVI：52。本文首先介紹作曲家的背景，接著會聚焦在他的倫敦之行。第二部分，探討他奏鳴曲的一些特點，以及古鋼琴 C.P.E.巴赫對於海頓的影響。本文大部分內容及最後總結的部分將著重於倫敦奏鳴曲的分析和詮釋。首先將對奏鳴曲的歷史進行研究，然後對奏鳴曲的要素進行探討，主要是對當時樂器發辯方式，裝飾音，力度和強音，延長記號和休止符，踏瓣和演奏技巧等

的研究。這些元素隨後都將會用於每一首奏鳴曲的結構分析和詮釋中。本論文的主旨在將傳統的和聲分析與主題分析相結合，探究影響此奏鳴曲創作的各種原因。