original equipment m的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列問答集和資訊懶人包

Science of Arms: The Art of War in the Century of the Soldier, 1672 to 1699: Volume 1 Preparation for War & the Infantry

為了解決original equipment m的問題，作者Carter, Stephen M. 這樣論述：

In the late 17th century war was one of the most important of all the human professions. It was for this reason that the greatest generals labored to acquire every ounce of knowledge, and from this went on to perfect the military art. These men judged that nothing was so necessary for the salvation

of their states as the science of arms. They saw that it was by this means that nations repelled public and private insults. It was through the application of war, that citizens defended the liberty of their country and maintained discipline within their own territories. As a result, these men becam

e professionals, and in so doing aroused the virtue of their fellow-citizens and ensured the happiness of their people. These words are not new but adapted from the opening chapter of the Tracte de la Guerre ou Politique Militaire published in 1677. By then, the French Army had reached the peak of m

ilitary perfection and Science of Arms draws on this expertise to create the definitive manual on the art of war, split across three volumes.The first volume of the Science of Arms introduces the 17th century concept of the just war. Explains the duties of the general and his staff. Details the Ordi

nance Park, plus the weapons and equipment needed to wage war. This is followed by the evolutions, drills, postures, and tactics of the infantry from the lowest private to the colonel. The second volume covers the disciplines of the cavalry and the artillery, fighting a campaign and winning in battl

e. The final volume tackles the construction, defense, and the attack of fortifications in the age of Vauban.For the first time the historian, writer, reenactor, or military enthusiast can fully comprehend the spontaneous actions of the greatest generals. Science of Arms fills in the gaps found in e

yewitness accounts, clarifies the unconscious behavior of the officers, and brings to life the battle plans. This outstanding work combines all the great military treatise of the 17th century, with the original illustrations to form a unique depiction of the art of war as learnt by all the officers,

and generals of the age. Science of Arms is everything needed to fully understand the military art as practiced in the century of the soldier.

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採用CUDA圖型處理器平行化改良5G軟體基地台之隨機存取通道流程

為了解決original equipment m的問題，作者王靖 這樣論述：

隨著5G逐漸於全球開始商轉，越來越多企業發現其中商機並相繼開發相關應用與服務，例如：無人機、物聯網、邊緣運算等，然而這些應用都需要基地台為其傳遞訊號才能正確運作，因此基地台本身的穩定與效能將是這一切的基礎。本論文即提出一改善方法以提升原基地台本身之運算效率使其能夠更穩定的提供服務。無線行動網路近年快速發展，於是有軟體化基地台（Software-defined Radio, SDR）的概念被提出並運行提供服務，此概念即透過編寫軟體程式提供傳統基地台之服務，以應付行動網路技術規格之快速發展與變遷。本論文在此基礎之上針對基地台中提供使用者註冊接入網路與使用者裝置同步服務的隨機存取通道（Random

Access Channel, RACH）流程，討論其傳統實作方法並提出一改善效率之方法與流程架構。本論文將研究使用圖型處理器（Graphics Processing Unit, GPU）加速平行RACH 流程上的運算，並修改運算流程與方法使之更適合運行於GPU。透過本論文提出的架構設計，基地台的模擬測試運算執行時間可調降至大約原本的10%～50%。本論文的架構亦提供彈性化設計，因此可一次處理多基地台接收之訊號，且由於本研究將所有運算拆開至不同運算單元上平行運算，所以即使需要處理的訊號增加，總處理時間也不會有太大的差異。藉此研究，軟體基地台運行時將能有更多閒餘的效能維持整體性之效能與穩定或是

提供更多服務應用。

All Things Strings: An Illustrated Dictionary

為了解決original equipment m的問題，作者Nardolillo, Jo/ Daniels, David (FRW)/ Larsen, T. M. (ILT) 這樣論述：

String players face a bewildering array of terms related to their instruments. Because string playing is a living art form, passed directly from master to student, the words used to convey complex concepts such as bow techniques and fingering systems have developed into an extensive vocabulary that

can be complicated, vague, and even contradictory. Many of these terms are derived from French, Italian, or German, yet few appear in any standard music dictionary. Moreover, the gulf separating classical playing from fiddle, bluegrass, jazz, and other genres has generated style-specific terms rarel

y codified into any reference work. All Things Strings: An Illustrated Dictionary bridges this gap, serving as the only comprehensive resource for the terminology used by the modern string family of instruments. All of the terms pertaining to violin, viola, cello, and double bass, inclusive of all g

enres and playing styles, are defined, explained, and illustrated in a single text. Entries include techniques from shifting to fingerboard mapping to thumb position; the entire gamut of bowstrokes; terms found in orchestral parts; instrument structure and repair; accessories and equipment; ornament

s (including those used in jazz and bluegrass); explanations of various bow holds; conventions of orchestral playing; and types of strings, as well as information on a select number of famous luthiers, influential pedagogues, and legendary performers. All Thing Strings is expertly illustrated with o

riginal drawings by T. M. Larsen and musical examples from the standard literature. Appendixes include an extensive bibliography of recommended reading for string players and a detailed chart of bowstrokes showing notation and explaining execution. As the single best source for understanding string

instruments and referencing all necessary terminology, All Things Strings is an essential tool for performers, private teachers, college professors, and students at all levels. It is also an invaluable addition to the libraries of orchestra directors and composers wishing to better understand the co

mplexities of string playing. With the inclusion of terms relevant to all four modern string instruments played in all genres--from jazz to bluegrass to historically informed performance--this resource serves the needs of every string musician. Violinist and violist Jo Nardolillo has performed thr

oughout the United States and in Europe. She has commissioned, recorded, and given the world premieres of many new works, and is a founding member of the innovative new-music ensemble TangleTown Trio and the eclectic jazz sextet Touché. She is author of The Canon of Violin Literature (Scarecrow Pres

s, 2011), and holds a doctorate from the Eastman School of Music. Illustrator T. M. Larsen is a professional double bass player active in the Pacific Northwest. He has performed with the Seattle Symphony, the Seattle Opera, the Pacific Northwest Ballet, the Seattle Baroque Orchestra, the Northwest C

hamber Orchestra, and the Northwest Sinfonietta. As a jazz bassist, Mr. Larsen has been a member of the Jim Baker Band and the Northwest Sinfonietta Jazz Quintet.

生成對抗網路應用於AOI樣本數擴增

為了解決original equipment m的問題，作者蔡棠介 這樣論述：

AOI(Automated Optical Inspection)自動光學檢測於台灣製造業中，為應用廣泛之一，因社會勞動力老年化及人口的趨減，加上人會因為疲勞而降低專注力，故製造業逐漸導入AOI光學檢測設備來取代傳統目檢人力，在應用於工廠內之產品瑕疵檢測時，常發生正確率不高／漏檢之問題，主要原因是以訓練樣品數不足為主，因瑕疵品在產品生產初期所發生之數量及類別不多，若出現不同的瑕疵內容，機器未先學習過，就會造成AOI漏檢。因此本研究主要利用GAN(Generative Adversarial Nets)中文譯為生成對抗網路來生成樣本，來彌補AOI開發初期樣本數不足的問題， 利用兩種生成對抗網路

模型Cycle GAN與Bicycle GAN在兩種不同情境的情況下，生成樣本來擴增AOI樣本資料庫，研究的架構中應用YoloV4(You Only Look Once V4)來當替代AOI系統，在資料集分配上，模擬剛開發初期只有少量的樣本時需讓AOI有基本的檢測能力，故只抽取少量的訓練資料來生成，其餘的當作測試集來驗證生成的樣本是否有效。有別於其他研究應用，本文利用VAE(Variational autoencoders)及GAN結合的生成對抗網路，控制特徵潛在空間向量來生成多樣性的AOI樣本，實驗結果說明利用生成對抗網路生成瑕疵樣本，相較於擴增前兩者準確率差異準確率可達12%，在實驗過程中

生成出多樣性的AOI樣本已與原先輸入的圖像截然不同，故也可應用於生成不同的瑕疵樣本來測試AOI系統的檢驗可靠度。