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The Chainsmokers 202的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列問答集和資訊懶人包
中國文化大學 法律學系 許惠峰所指導 鄭嘉文的 論音樂著作權利保護範圍及侵權之研究 （2021），提出The Chainsmokers 202關鍵因素是什麼，來自於著作權法、音樂著作、美國音樂現代化法案、數位利用、授權機制。
The Chainsmokers 202進入發燒排行的影片
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[Intro: Drew Taggart]
Yeah, let's do it again but, uh, this time, uh, let's go full psycho
[Verse 1]
Yeah, I just wanna drink tequila with my friend
She says she cheated 'cause she's tryna get ahead
The more I read it, yeah, the more I take offense
I'm so defeated, I can't get outside my head
I post a picture of myself 'cause I'm lonely
Everyone knows what I look like
Not even one of them knows me
Yeah, I just wanna drink tequila with my friends
I'm so defeated, I just want this shit to end
[Chorus]
So I walk into the club like, everybody hates me
I walk into the club like, everybody hates me
I'm talkin' to myself, shit, now they think I'm crazy
I walk into the club like, everybody hates me (everybody hates me)
Like everybody hates me
[Drop]
Like everybody hates me (everybody, yeah)
[Verse 2]
I'm a product of the internet
And now, I'm face to face with all the voices in my head
I can't even check the time without facing regret
Why do I still have to mean everything I ever said?
And I'm not trying to be like "poor me," I made it
I'm just trying to stay normal now that they know what my name is
Yeah, I just wanna drink tequila with my friends
Yeah, they're the reason that I still am who I am
[Chorus]
So I walk into the club like, everybody hates me
I walk into the club like, everybody hates me
I'm talkin' to myself, shit, now they think I'm crazy
I walk into the club like, everybody hates me (everybody hates me)
Like everybody hates me
[Drop]
Like everybody, everybody hates me (everybody, yeah)
[Breakdown]
I walk into the club like, everybody hates me
I walk into the club like, everybody hates me
I walk into the club like, everybody hates me
[Drop]
I walk into the club like, everybody, yeah
Everybody (everybody)
I walk into the club like, everybody, yeah
Everybody (everybody)
I walk into the club like, everybody hates me
[Outro]
Everybody, yeah, everybody
論音樂著作權利保護範圍及侵權之研究
為了解決The Chainsmokers 202 的問題，作者鄭嘉文 這樣論述：
音樂的利用隨著科技發展出現了多樣的發展，而著作權對於音樂著作的保護管理及規範更應時時隨著產業的環境進行適度的修正、與時俱進，方能讓法律的規範更適用於產業的現況。 本文探討近年來科技發展下數位音樂之流通及利用態樣。從國際著作權公約關於音樂著作之規範內容進行介紹，進一步介紹美國音樂著作權利保護及管理，其中包含美國著作權集體管理團體之運作、以及音樂現代化法案（MMA）之內涵。本文亦針對我國音樂著作之相關規範進行介紹，並分析科技發展下音樂之新型態利用模式，包含音樂數位化之創作態樣、數位音樂平台之傳輸、社群平台對於音樂表演之利用模式…等，並針對相關侵權案例進行探討。
音樂著作在網路之普及下產生了更多元之利用態樣，以今時今日之科技發展，應檢視現行之著作權法之管理機制是否符合數位音樂利用之產業現況，並針對產業利益及責任分配間之平衡提出相關建議，以完善音樂著作之權利保護及管理。