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The Moth Presents All These Wonders: True Stories About Facing the Unknown

為了解決How to preserve cult的問題，作者Moth (COR)/ Burns, Catherine (EDT) 這樣論述：

"Wonderful." --Michiko Kakutani, New York TimesCelebrating the 20th anniversary of storytelling phenomenon The Moth, 45 unforgettable true stories about risk, courage, and facing the unknown, drawn from the best ever told on their stagesCarefully selected by the creative minds at The Moth, and adapt

ed to the page to preserve the raw energy of live storytelling, All These Wonders features voices both familiar and new. Alongside Meg Wolitzer, John Turturro, Tig Notaro, and Hasan Minhaj, readers will encounter: an astronomer gazing at the surface of Pluto for the first time, an Afghan refugee lea

rning how much her father sacrificed to save their family, a hip-hop star coming to terms with being a "one-hit wonder," a young female spy risking everything as part of Churchill's "secret army" during World War II, and more. High-school student and neuroscientist alike, the storytellers share the

ir ventures into uncharted territory--and how their lives were changed indelibly by what they discovered there. With passion, and humor, they encourage us all to be more open, vulnerable, and alive. THE MOTH is an acclaimed not-for-profit organization dedicated to the art and craft of storytelling

. Inspired by friends telling stories on a small-town Georgia porch, The Moth garnered a cult following in New York City, and then rose to international acclaim with the wildly popular podcast and Peabody Award-winning weekly public radio show The Moth Radio Hour (produced by Jay Allison and present

ed by PRX.) The Moth is a celebration of both the raconteur, who breathes fire into true tales of ordinary life, and the storytelling novice, who has lived through something extraordinary and yearns to share it. At the center of each performance is the story, and The Moth’s directors work with each

storyteller to find, shape, and present it. Since its launch in 1997, The Moth has presented tens of thousands of stories, told live and without notes, to standing-room-only crowds worldwide. The Moth received a 2012 MacArthur Award for Creative and Effective Institutions, and The Moth: 50 True Stor

ies (Hachette) was an international best seller. themoth.org

Death and Afterlife in Modern France

為了解決How to preserve cult的問題，作者Kselman, Thomas A. 這樣論述：

Although today in France church attendance is minimal, when death occurs many families still cling to religious rites. In exploring this common reaction to one of the most painful aspects of existence, Thomas Kselman turns to nineteenth-century French beliefs about death and the afterlife not only t

o show how deeply rooted the cult of the dead is in one Western society, but how death and the behavior of mourners have been politicized in the modern world. Drawing on sermons preached in rural and urban parishes, folktales, and accounts of seances, the author vividly re-creates the social and cul

tural context in which most French people responded to death and dealt with anxieties about the self and its survival. Inspired mainly by Catholicism, beliefs about death provided a social basis for moral order throughout the nineteenth century and were vulnerable to manipulation by public officials

and clergy. Kselman shows, however, that by mid-century the increase in urbanization, capitalism, family privacy, and expressed religious differences generated diverse attitudes toward death, causing funerals to evolve from Catholic neighborhood rituals into personalized symbolic events for Catholi

cs and dissenters alike--the civil burial of Victor Hugo being perhaps the greatest symbol of rebellion. Kselman's discussion of the growth of commercial funerals and innovations in cemetery administration illuminates a new struggle for control over funeral arrangements, this time involving business

men, politicians, families, and clergy. This struggle in turn demonstrates the importance of these events for defining social identity.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the d

istinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in th

e thousands of books published by Princeton University Press since its founding in 1905.

古蹟保存的文化權利

為了解決How to preserve cult的問題，作者廖凰玎 這樣論述：

根據國際法律文件，文化權利不斷被強調是人權之一，與其它人權一樣，具有普遍的、不可分割以及相互依存的特質。這些涉及文化權利的法律規範文件，經由法律詮釋成為建構國際文化法規範體系化的養分。其中「人人有權參與文化生活」的文化權利，不僅被重視，也被更關注如何被落實於國內立法。 本論文研究人民對古蹟此文化資產之文化權利，試圖將這文化權利實證法化。長期以來，在性質和定位的看法，一般都僅視古蹟保存的參與是被鼓勵，一種對文化事務的公共參與，但非法律上權利之一。但本文研究發現，那是忽視「有權參與文化生活」在法規範的意義和價值。經由整理分析國際文化法規範並結合最新文化權利理論發展趨勢，我們需翻轉舊觀

點，應該為「有權參與」古蹟保存提供法律上權利保障。接軌國際文化法規範，於國內立法來落實保護這文化權利。 國內的《文化資產保存法》及有關的法制度，應被審視是否接軌國際文化權利法規範，轉向文化參與和權利結合的立法，將人民之古蹟保存的參與地位，提升到法律上的一種「權利」來保障。包括積極的訴訟權利在內，建置受法規範保護的利益和地位的文化權利。 本論文的研究，乃基於文化民主的價值和理念，從「人民的文化主體性」出發，主張人民對古蹟享有法律上的文化權利。論述古蹟保存參與者的定位。提出古蹟之文化權利的文化理論與法理論基礎，建立法體系保護這文化權利可享有如同其人權的基本權利保障制度。並且發展出「文化

權利」與「公共利益」、「財產權」等三者應存有著「制衡與衡平」之關係，進一步對現行文化資產保存法制提出修法建議。